Going global is easy. Getting it right is not.
A few weeks ago, we wrote about hyperlocal marketing and how we ran a mental health campaign on Staten Island timed around Groundhog Day and Staten Island Chuck. Most people outside that ferry terminal where we hosted the campaign don’t know who Chuck is. That was the point. When a brand shows up inside a culture instead of above it, people feel it.
But what happens when you need to go the other direction? When you’re not talking to one neighborhood, city or country, but trying to reach people across continents?
Most brands think going global means taking one campaign and translating it everywhere. Run the same campaign across New York City, Tokyo, Paris, São Paulo and beyond. Change the voiceover, swap the subtitles and call it a day.
It feels efficient. It feels cost effective. And it almost never works.
Here’s why: translation isn’t localizing your campaign. You can translate words, but you can’t translate meaning.
Let me walk you through an example. A few years ago, we ran running a life insurance campaign in Vietnam and Thailand. It was working. The client wanted to expand to Korea with the same campaign. We had to stop them.
In Korea, people buy life insurance for their children, not for themselves. This is antithesis to the culture around life insurance in the U.S. and most other markets we were in. The entire cultural framework is different.
Run the same campaign there and you’re speaking the wrong language, even if the words are technically correct.
So what does it look like when you get it right?
We introduced a global financial platform for a client that operated out of New York and London. They wanted to advertise in China, but they were nervous that doing a campaign for a Western brand there would lead to skepticism from people in the country.
So we took a different approach.
We made a 30-second spot that had nothing to do with finance. Instead, we focused on the Luban Lock. If you’re not familiar, it’s a 2,000-year-old Chinese puzzle that’s a symbol of ingenuity and craftsmanship. The content we developed for them was a love letter to Chinese culture. No hard sell. No product demo. We wanted to simply say ‘we see you, we respect you, we get it.’
The client was hesitant to run with this approach. Finally, after 4 months of discussions, they agreed. We produced and animated the commercial in China. It was another deliberate choice, another compliment showing respect to Chinese craftsmanship. After the first weekend it aired, the client started getting calls. Government officials. People they’d never met. All saying the same thing: we love this.
That’s what we call Global Local. You don’t lead with your pitch. You show respect first. You prove you understand the room before you start talking about yourself.
So that’s the playbook, right? Understand the culture, build the idea around it and execute respectfully.
Except it’s not always that clean.
When the idea works everywhere (except where it doesn’t)
Sometimes you have a genuinely great global idea. It’s smart. It’s resonant. It works across markets. And then you hit one country where it falls flat and you have a choice to make.
A. Do you force it and say, ‘well, it works in 11 out of 12 markets, so we’re running it everywhere’? Or B. do you be honest with yourself, admit the idea probably won’t translate, and build something new for that one market?
We always recommend choosing the second option. Because forcing a bad fit doesn’t just waste money. It can make people feel like you don’t care enough to understand them. And once you lose that respect, you rarely get it back. You have one shot to show up correctly.
Taking a creative risk is one thing. Missing the cultural mark entirely is something else.
Ideas can be universal, but culture isn’t
Global Local isn’t about having a different campaign for every market. It’s about having one strong idea that’s flexible enough to respect local context. It might mean adjusting the creative or rethinking the entire strategy for one location. Sometimes it means knowing when not to show up at all.
The best global campaigns aren’t the ones that work everywhere. They’re the ones that work differently everywhere because they’re built on an idea that’s strong enough to adapt.






























































